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about me
Committed to vibrant expressivity and genuine connection through music, NYC-based soprano Christina Kay enjoys a multifaceted career as an artist, educator, and arts administrator. Her special interest in enlivening music of the Renaissance and Baroque eras with ornamentation and movement led her to co-found Filigree Ensemble in 2022 with mezzo-soprano Kim Leeds. She has also particularly enjoyed collaborating with mime Tony Lopresti and the Academy of Sacred Drama (dir. Jeremy Rhizor), bringing dynamic movement to performances of little-known Baroque oratorios, and has had the pleasure of performing Handel’s Messiah—one of her very favorite works—at Carnegie Hall with the MasterWork Chorus and Orchestra, where she ornamented to her heart’s content as the soprano soloist under director Chris Shepard.
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A sought after multi-genre singer, Christina has recorded an indie folk album with the Home Port trio, performed bluegrass songs at farmers markets and weddings, convincingly faked being a pop singer as a core member of a cappella sextet The Western Wind, and written and presented florid solo arrangements of late Renaissance and early Baroque madrigals with ARTEK Early Music. As an ensemble singer, she has appeared with the American Classical Orchestra, the Cathedral Choir of St. John the Divine, Handel & Haydn Society, New York Virtuoso Singers, Santa Fe Desert Chorale, True Concord Voices & Orchestra, the Choir of Trinity Wall Street, and numerous churches in the New York City metro area. ​​
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Beyond favorite venues and musical experiences, Christina has been delighted to experience numerous bizarre moments on stage. Most memorably, she was locked in a closet during a performance of Julius Eastman's Macle staged in a coal mine in the Czech Republic, and had to be rescued by climbing a ladder through the ceiling. She has also shared the stage with drones while singing the roles of actress-turned-porn-star Daphne Blueberry and “Sacrilegious Nun” in David Chesky’s La Farranucci; worn foot-tall platform shoes while delivering a semi-tonal Gertrude Stein soliloquy as Lead Singer in Petr Kotik’s Master-Pieces; and contended with bees flying up her pants during a performance of Kamala Sankaram’s Cultivars in the Brooklyn Botanic Gardens (no people or bees were harmed!).
In addition to an active performance schedule, Christina serves as the part-time Music Associate for Advancement at the Church of St. Ignatius Loyola in NYC, where she heads up fundraising for the music program. She has taught private voice and piano lessons for over a decade, coaches style and ornamentation privately and at the Baroque Opera Workshop at Queens College, and spends a few weeks each summer as a facilitator for adult choral workshops with The Western Wind. In her free time, she is an avid kick boxing fan, enjoys cooking and baking gluten free recipes (check out The Loopy Whisk for inspo!), voraciously devours sci-fi novels and pop psychology podcasts, and occasionally tools around on the alto recorder.
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2025 by
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PHOTOGRAPHY BY TATIANA DAUBEK